film

ETC Lustr Daylight HD

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The Daylight HD and Tungsten HD arrays were designed for the studio and other applications where high-definition lighting is a must. With flicker-free operation – even at high speeds – the Source Four LED Series 2 Daylight HD and Tungsten HD arrays look great on screen. The Daylight HD array produces the coolest (4000 to 6500K), variable-white light that looks just like natural sunlight, and the Tungsten HD array creates warm (2700 to 4500K), adjustable-white light that mimics the performance of tungsten fixtures. Their temperatures and tints can be tweaked to perfectly illuminate individual skin tones, so they look great in person and on camera. Both arrays output an incredible amount of lumens, for the brightest light in their respective color-temperature ranges.

Arri SkyPanel S60-C

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Using technology originally designed for the L7-C Fresnel, the SkyPanel S60-C is fully color “tuneable” allowing output of a warm 2,800K to icy blue 10,000K light and also uses the full RGB+W color gamut with hue and saturation control for fine adjustments. Full Minusgreen to Full Plusgreen is also possible, so if you’re lighting for blue or greenscreen, you can simply dial your color chosen in. This wide degree of control is responsible for a very high CRI of 95 and a rating of 90 with the newer TLCI standard. All of these functions as well as 0-100% dimming can be adjusted locally with the SkyPanel’s onboard controller or remotely via DMX or a LAN. Besides inputs and outputs appropriate to these functions, the light also has a USB-A port for downloading firmware upgrades from a thumb drive, PC or Mac.

The SkyPanel S60-C can be used worldwide, thanks to its included 90-250 VAC power supply but it can also use optional 23-36 VDC batteries when mains power is unavailable. Besides the power supply, the light comes with a Junior (1-1/8″) pin and a standard diffuser. This version of the light has a manual yoke and comes with an Edison power cord.

Arri 150W Fresnel

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The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions.

Arri 650W Fresnel

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The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions.

Arri 1000W Fresnel

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The Arri T1 Location Fresnel is an updated version of the Compact Series of Location Fresnels. Combining research, feedback from around the world and advances in technology, Arri has designed a series of six Fresnels with over 30 improvements for studio and location lighting. The True Blue Series has reduced weight, compact size and maximum light output.

Arri 2000W Fresnel

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The Arri T2 Location Fresnel is one in a series that represents an unprecedented evolution of the Studio and Location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, Arri has designed a series of six highly innovative lampheads with over 30 improvements for studio and location lighting. With reduced weight, compact size and maximum light output True Blues set a new standard for professional lighting equipment.

Arri Arrisun 12 Plus

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The Arri Arrisun 12 Plus HMI PAR Light Kit (90-250 V AC) includes a 575/1.2 kW electronic ballast, cable, lenses, barndoors and lens case. A hot-restrike HMI bulb must be ordered separately. The Arrisun is a “working horse” on location. Whenever punch or bounce light is required on a set, an Arrisun is the ultimate answer. For the first time, the interaction of lamp, reflector and converter lens were taken into consideration and computer simulated, resulting in unmatched light performance.

Kino Flo Diva-Lite 200

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The portable Diva-Lite® series have become the industry’s most popular professional cool lighting fixtures for film and video location work. The Diva-Lite 415 boasts the company’s trademark modular fixture designs with universal input voltage from
100-240VAC, full-range dimming, switching and remote control features. The Diva-Lite 201 fixtures are portable, versatile units designed for the rigors of run and gun lighting for news or commercial video production. Diva-Lites can go from nighttime to daytime interiors by switching True Match® tungsten for daylight quality lamps. It’s like having two set-ups in one.

Arri L7-C

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Color temperature, tint and hue can be continuously adjusted from 2,800 K to 10,000 K, between full plus or minus green and RGBW colors.

LIGHT ENGINE 2
L7-Cs with the new LE2 are 25% brighter than previous L7-C versions.

STAND-MOUNT
versions include the following base configuration: 28 mm Spigot (Junior Pin), Inline Switch, Integrated 5-Pin DMX In and Thru.

HANGING
versions include the following base configuration: 28 mm Spigot (Junior Pin), 1,5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.

POLE-OPERATED
versions include the following base configuration: Pole Operation for Pan, Tilt and Focus, 28 mm Spigot (Junior Pin), 1,5 m (5 ft) Cable with Bare Ends, Integrated 5-Pin DMX In and Thru.