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Airstar C160

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  • Air-inflated balloon (built-in fan)
  • Pole mounted
  • Indoor and outdoor use
  • Strong and wind-resistant balloon
  • Halogen (warm) or LED (color-changer) lighting
  • Quick set up (10 minutes)

Arri 150W Fresnel

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The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions.

Arri 650W Fresnel

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The ARRI Fresnel series is ideal for use where compact, lightweight tungsten Fresnel spotlights are required, especially in small studios where grid height is a problem. Classic ARRI construction, using corrosion-resistant, extruded, die cast aluminium, maximises body strength while maintaining the light weight of a location fixture. Despite the small size of ARRI Fresnels, their short focal length, wide angle lenses produce impressive light output and good light distribution over the full beam area. ARRI Fresnels are available in both manual and pole-operated versions.

Arri 1000W Fresnel

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The Arri T1 Location Fresnel is an updated version of the Compact Series of Location Fresnels. Combining research, feedback from around the world and advances in technology, Arri has designed a series of six Fresnels with over 30 improvements for studio and location lighting. The True Blue Series has reduced weight, compact size and maximum light output.

Arri 2000W Fresnel

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The Arri T2 Location Fresnel is one in a series that represents an unprecedented evolution of the Studio and Location fixtures that have been popular workhorses for over two decades. Following extensive research and feedback from lighting professionals around the world, combined with advances in technology, Arri has designed a series of six highly innovative lampheads with over 30 improvements for studio and location lighting. With reduced weight, compact size and maximum light output True Blues set a new standard for professional lighting equipment.

Arri Arrisun 12 Plus

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The Arri Arrisun 12 Plus HMI PAR Light Kit (90-250 V AC) includes a 575/1.2 kW electronic ballast, cable, lenses, barndoors and lens case. A hot-restrike HMI bulb must be ordered separately. The Arrisun is a “working horse” on location. Whenever punch or bounce light is required on a set, an Arrisun is the ultimate answer. For the first time, the interaction of lamp, reflector and converter lens were taken into consideration and computer simulated, resulting in unmatched light performance.

Kino Flo Diva-Lite 200

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The portable Diva-Lite® series have become the industry’s most popular professional cool lighting fixtures for film and video location work. The Diva-Lite 415 boasts the company’s trademark modular fixture designs with universal input voltage from
100-240VAC, full-range dimming, switching and remote control features. The Diva-Lite 201 fixtures are portable, versatile units designed for the rigors of run and gun lighting for news or commercial video production. Diva-Lites can go from nighttime to daytime interiors by switching True Match® tungsten for daylight quality lamps. It’s like having two set-ups in one.

Martin VDO Sceptron 10

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The VDO Sceptron 10 is a linear outdoor-rated LED video fixture for the rental market with 10 mm pixel pitch and an extensive range of optical accessories for a wide variety of looks. The VDO Sceptron 10 is driven by the Martin P3 System Controller family for easy configuration, mapping and setup, and is also backwards compatible with DMX for smaller setups. The integrated power and data cabling allows for long daisy-chains with many fixtures per cable-run, while the power supply can be located backstage (up to 50 m away) for a clean setup avoiding messy cabling and several driver boxes.

Coolux Pandora’s Box

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The award winning Pandora’s Box Server system offers the best high performance link between projection and digital image compositing.

A turnkey solution that perfectly unites state of the art rendering technology with intuitive media- and show control. A high-quality server featuring the most powerful render-engine offers real-time compositing in 3D and allows for projection onto any shape and any surface.

Arrange videos and images freely, change colour, form and position. Pandora’s Box synchronizes all video & audio sources. On-site 3D rendering, composition and editing make Pandora’s Box the perfect choice for any live event or multi-media show.

HES Catalyst Media Server

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The Catalyst Media server is an image processing system that offers an unlimited range of DMX 512 controlled image processing effects.

Unlimited creativity
The Catalyst media server offers an incredible range of image processing tools. Controlled from DMX 512 it can process and manipulate high resolution graphics images, movies store on harddisk or live video images.

Use with Daylight Displays and Projectors
When used with Daylight Displays or Projectors, the Catalyst Media Server presents an unparallelled way to program, process and run content on the display to use it as a creative effects tool.

Complete
The Catalyst Media Server is delivered in a flight case that contains all processing equipment in a shock absorbing frame.