The ZW19™ is an LED moving head beam/wash effect luminaire featuring (19) 10W RGBW 4-in-1 LEDs, motorized 10° to 60° zoom, 64 color macros, fast and precise 540° pan and 220° tilt rotation, 16-bit fine resolution adjustable movement, strobe, and selectable dimming curve effects, 3/5pin XLR and powerCON in/out connections, (4) button control 180° reversible menu display, 245W max power consumption, and a multi-voltage universal auto switching power supply (100-230v).
The Krypton 25 (Kr 25) is a handy medium for the lighting industry. It establishes a new type of lighting system with its pre-set, integral programs or the independent modular option. 25-channel pixel mapping of the 25 Par30 75 watt Halogen Lamps grant you complete control with full dimming abilities. The 4 DMX modes let you operate the Kr 25’s lamps and macros separately, while the built-in macros will impress your audience. You can have complete control of the macros and lamps independently by using a total of 29 channels.
1, 2, 5 or 10 DMX channels selectable for numerous applications
DMX-controlled operation or stand-alone operation
DMX control via any standard DMX controller
Addressing and setting via control panel with 4-digit LED screen and four operating buttons
For use on stages, catwalks, crossbeam systems, or decoration
For 10 x GU-10 230V/75W lamp
Control 10 lamps together or singly via DMX 10 channels
16 internal programs, Auto mode, all lamps full on
Speed of internal programs and dimmer intensity programmable
Lamp pre-heat for long lamp life
Memory function
Extreme and lightning-fast light displays
Elegant slim housing
Floor, ceiling or trussing installation possible
Feed-through output allows to power another device
After every 8 bars the fixtures must have a renewed connection with the power mains
Ready for connection via powercon
Color generation: WW
Power supply of device: Mains Input Socket (M) Powercon (Power-In) blue fehlt provided
The Daylight HD and Tungsten HD arrays were designed for the studio and other applications where high-definition lighting is a must. With flicker-free operation – even at high speeds – the Source Four LED Series 2 Daylight HD and Tungsten HD arrays look great on screen. The Daylight HD array produces the coolest (4000 to 6500K), variable-white light that looks just like natural sunlight, and the Tungsten HD array creates warm (2700 to 4500K), adjustable-white light that mimics the performance of tungsten fixtures. Their temperatures and tints can be tweaked to perfectly illuminate individual skin tones, so they look great in person and on camera. Both arrays output an incredible amount of lumens, for the brightest light in their respective color-temperature ranges.
With ColorSource consoles, setup and programming is a breeze! From patching to performance, ColorSource consoles enable you to navigate and program quickly. The multi-function onboard touchscreen provides not only a customizable stage map but also color and parameter controls, a full palette system, effects manipulation, and the Playback Toy live busking controls.
The onboard faders can be used as direct channel controls or as playback faders. For preprogrammed shows, ColorSource consoles include comprehensive cue stack functionality. Assign additional faders as submasters, group masters, or a grandmaster.
With a compact design that houses a unique, 5-color LED array, the ColorSource® CYC from ETC is a useful fixture that will change your lighting design ways. This dedicated cyclorama fixture has been designed with the sole purpose of creating beautiful, smooth washes of light on a cyclorama or wall. Adding to the attractiveness of this LED fixture is that its ETC’s initial fixture to use their innovative five-color mix of red, green, blue, lime, and indigo for expanded range and color control. Now your cyclorama finally gets the attention it deserves.
This ColorSource model comes in a black housing finish, with your choice of connector (please specify when ordering): Edison / Stagepin / TwistLock / Bare End. It has a compact and lightweight design, so it fits easily on your stage floor or hangs from a pipe. Plus, it’s fanless, and all-LED, so it consumes a fraction of the power of other standard CYC fixtures. And LED means no more gel! Your budget can go toward something other than replacing lamp after expensive lamp, and the saturated colored gel that burns through after a couple of shows.
Based on ETC’s award-winning Eos® control system but with a simplified feature set, Element™ is designed expressly for modest rigs and maximum hands-on fader control. Affordable and easy to use, Element packs in the fundamentals of lighting control.
Element comes in two hardware versions, based on fader count, to suit your rig. Each supports either 250 or 500 channels and two full universes of DMX output:
Supporting two external, Windows® 7-compatible high-resolution monitors (standard, single- or multi-touch), programming could not be any more straightforward and easy.
ETC’s flagship line of lighting control consoles offers a sleek control interface engineered for your comfort and customization. With generous programming surfaces and the power to run complex rigs, Eos Apex is the ultimate hands-on, professional workspace – powered by the ultimate control platform.
Take advantage of state-of-the-art features like customizable OLED Target keys for your Direct Selects, a built-in soft keypad, book lights for your paperwork, drawers for your accessories, dual axis folding displays, and more encoders than ever before on an Eos desk. With three sizes of console to choose from and reconfigurable inputs and outputs, you can tailor your Apex experience to the needs of your venue or production.
ETC’s flagship line of lighting control consoles offers a sleek control interface engineered for your comfort and customization. With generous programming surfaces and the power to run complex rigs, Eos Apex is the ultimate hands-on, professional workspace – powered by the ultimate control platform.
Take advantage of state-of-the-art features like customizable OLED Target keys for your Direct Selects, a built-in soft keypad, book lights for your paperwork, drawers for your accessories, dual axis folding displays, and more encoders than ever before on an Eos desk. With three sizes of console to choose from and reconfigurable inputs and outputs, you can tailor your Apex experience to the needs of your venue or production.
The most popular lighting control console in history – that’s ETC’s Express.
Why do so many people pick Express? Well, it’s an Expression-line console with the easy, smart operational style that Expression users swear by. And it’s an economical console that can do virtually everything — professional lighting control and power within the reach of any budget. Its versatile combination of fader-familiar two-scene presets with sophisticated pushbutton programmability means it’s accessible to anyone, especially those being initiated into the world of board operation. No learning curve here. Once you know Express, you’re ready for Expression and Broadway-level lighting control.
Express uses Expression 3 software, giving your venue the moving light control and 16-bit resolution you’d only expect to find from a higher-end console.
And there are five different Express consoles to choose from – one to suit every venue’s needs. Whether you’re an academic institution, church, community theater, TV studio, or beyond – Express offers you total lighting-control value. Any Express console can be upgraded to part of an Emphasis Control System.
